Heidi, Girl of the Alps
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Heidi, Girl of the Alps (Japanese: アルプスの少女ハイジ, Hepburn: Arupusu no Shōjo Haiji) is an anime television series produced by Zuiyo Eizo and is based on the novel Heidi's Years of Wandering and Learning by Johanna Spyri (1880). It was directed by Isao Takahata and features contributions by numerous other anime filmmakers, including Yoichi Kotabe (character design, animation director), Toyoo Ashida (co-character design, animation director), Yoshiyuki Tomino (storyboard, screenplay), and Hayao Miyazaki (scene design, layout, screenplay).[1]
Heidi is the 6th and final entry in Calpis Comic Theater, a precursor of the World Masterpiece Theater series, based on classic tales from the Western world. The animation studio responsible for Heidi, Zuiyo Enterprise, would split in 1975 into Nippon Animation Company, Ltd. (which employed the anime's production staff and continued with the World Masterpiece Theater franchise) and Zuiyo Company, Ltd., which retained the rights (and debt) to the Heidi TV series. The feature-length film edit of the TV series, released in March 1979, was engineered completely by Zuiyo, with no additional involvement from Nippon Animation, Takahata or Miyazaki. Zuiyo also re-edited the series in two OVA released in 1996.[2]
Plot
Heidi is five years old when her aunt Dete, who has raised Heidi since her parents' deaths four years earlier, takes the orphaned Heidi to live with her formidable grandfather in the Swiss Alps. Dete has found a promising job in Frankfurt, but cannot leave while still Heidi's legal guardian, nor can she take Heidi with her. The only closest relative left is Heidi's grandfather, and in Dete's opinion, he should take some responsibility and do his share since she's the daughter of his deceased son-(Heidi's late father). Alm-Onji, as Heidi's grandfather is commonly known, has a fearsome reputation with the villagers of Dörfli, as rumors claim that in his youth he killed a man. Now he lives a solitary life with his dog Josef in a cabin halfway up the mountain. However, Heidi quickly wins her way into his heart with her enthusiasm and intelligence, firmly establishing herself in his life. She spends her days on the mountain top with the rebellious goatherd Peter, whose responsibility is to take the villagers' goats to the high mountains for pasture, and her winters occasionally visiting Peter's grandmother, a blind old woman whose dream is to one day hear her cherished book of psalms read to her (which Peter cannot do since he failed to learn to read). Alm-Onji's misanthropy and seclusion prevents Heidi from going to school, of which she has no experience anyway, ultimately leaving her illiterate like Peter.
Heidi continues to live happily in the mountains until Aunt Dete returns from the city, excited about a good opportunity for Heidi. A wealthy German businessman, Mr. Sesemann, is searching for a companion for his wheelchair-using daughter Clara, who is crippled due to rickets. Thwarted by Alm-Onji, Dete tricks Heidi into accompanying her, ostensibly to get a present for Peter and her grandfather. Although at first promised that she can return at any time, Heidi quickly learns of the ruse and tries to convince Dete to let her stay but is instead dragged to Frankfurt by force. While on a train headed to Frankfurt, Heidi throws a temper tantrum while screaming and crying for her grandfather, when she tries to leave the train, she realizes too late as the train is moving away. When they finally arrive at the Sesemann mansion, Dete abandons her under the authority of Miss Rottenmeier, the strict, no-nonsense governess in charge of Clara's welfare. Heidi and Clara immediately become friends, and Heidi quickly turns the household topsy-turvy with her escapades and well-meaning faux pas. Clara is enchanted by Heidi's stories of the Alps, which paints a picture of a life completely different from the sheltered and lonely one she is normally accustomed to. Her widowed father is mostly away on business, and Clara's only constant companions until now are the servants and her pet canary. Heidi's longing to return home and occasional attempts to escape are punctuated by the occasional distractions of new friends. She smuggles a small kitten into the house, and she and Clara care for it until Miss Rottenmeier discovers it and has it thrown out, until Sebastian, the kindly butler, is able to leave the kitten with a friend. Clara's doctor befriends her, and occasionally keeps a benevolent eye on her, but it is Clara's grandmother that has the most impact. On one of her rare visits to Frankfurt, she and Heidi become fast friends. Under her kindly tutelage, Heidi finally learns how to read and write, to the astonishment of the tutor who has struggled for months to do the same. However, the old woman's departure home again proves a turning point for Heidi. Forbidden by Miss Rottenmeier to ever mention or even think of the Alps again, Heidi rapidly goes into a decline, eventually becoming a sleep-walker, whose passage through the hallways is mistaken for that of a ghost, terrorizing the household.
Summoned home to deal with the haunting, Mr. Sesemann, with the aid of the doctor, catch Heidi in the middle of the night. The doctor diagnoses Heidi's condition as a serious case of homesickness and persuades Mr. Sesemann to send the girl back to the Alps before she dies of her condition. Clara is only reconciled by the promise that she will be allowed to visit Heidi in the mountains. Under the care of Sebastian, Heidi embarks on the long trip home, finally returning to her grandfather, Peter and his family. Heidi's return and her newfound enjoyment of reading prompt Alm-Onji to partially restore a ruined house down in the village, where they retire the following winter so that Heidi and Peter can start going to school. Over the course of the season, Heidi and Alm-Onji become friendly with the villagers, and Peter builds his own sled and wins a local race. The subsequent spring, they return to the mountain in the Alps, bidding farewell to their new friends. In Frankfurt, Clara, who has been longing to see her friend again, reminds her father of his promise to her, but he reminds her that the conditions in the Swiss Alps may be too harsh for her to handle. The doctor is sent to the Alps in her place, to inspect the area and determine whether it is an appropriate environment for a disabled, sick young child. Heidi, Peter, Alm-Onji, and the limitations of the terrain convince the doctor that this may be just the place for Clara to try out her legs again.
In due course, Clara comes to the Alps with Miss Rottenmeier, who shows a clear disapproval of the rustic conditions, an open fear of animals, and distress at the potential for accidents on the mountain. However, Clara's grandmother soon arrives, and after seeing first-hand the vast improvement in Clara's condition, sends Miss Rottenmeier home, commending Clara to the Alm-Onji's care before departing herself. After having established that Clara's legs are capable of functioning, the children and Alm-Onji begin to work on Clara's physical therapy. Eventually, Clara is able to walk without assistance and returns home with her father and grandmother, promising that she will return the following spring to be with her friends again.
Why It's a Girl of the Alps
- This is the best World Masterpiece Theater anime series in Japan.
- Some likable characters such as: Heidi, Alm-Onji, Peter and Clara Sesemann.
- The design was very great, especially Heidi's design was very cute.
- This opening and ending themes was very nice.
- Great voice acting, Kazuko Sugiyama and Kohei Miyauchi.
- in United States, the series become the movie version called The Story of Heidi.
Bad Qualities
- Some unlikable characters such as: Miss Rottenmeier.
- Tearjerking moments like, Heidi is crying because she doesn't want leaving with her grandfather's house.
Reception
Heidi, Girl of the Alps is still popular in Japan today — the love for Heidi has drawn thousands of Japanese tourists to the Swiss Alps.[21] Stamps featuring Heidi have been issued by Japan Post.[22] Japanese heavy metal rock band Animetal made a cover of the show's original theme song. In the documentary about Studio Ghibli, The Kingdom of Dreams and Madness, Miyazaki refers to Heidi as Takahata's "masterpiece."[23]