The Crow (1994)
| I'm sure you can help them sort it out, Dunban. ― Fiora, Xenoblade Chronicles |
This article is about 1994 original film. You may be looking for 2024 film with the same name.. |
|
All of this just works. ― Todd Howard |
This article needs cleanup to meet our rules and guidelines. You can help by editing it. The following reason has been specified: The BQs are way too detailed than the GQs and the GQs need more context, writing, and effort in them, cause the bad Qualities are more written than the good ones. |
|
The following work contains material and themes that may include coarse language, sexual references, and/or graphic violent images that may be disturbing to some viewers. Mature articles are recommended for those who are 18 years of age or above. If you are 18 years old or above, or are comfortable with mature content, you are free to view this page. Otherwise, you should close this page and view another one. Reader discretion is advised. |
| The Crow | ||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
 "If the people we love are stolen from us, the way to have them live on is to never stop loving them. Buildings burn, people die, but real love is forever."
| ||||||||||||||||||||||||||||||||||||||
|
The Crow based on the graphic novel of the same name by James O'Barr, is a dark fantasy action movie released in May 13, 1994. Starring the late Brandon Lee as Eric Draven as he sets out to avenge his fiancée from beyond the grave as he is resurrected from the grave through the power of the crow. The film was directed by Alex Proyas and written by John Shirley and David J. Schow.
Plot
On October 30, Devil's Night in Detroit, Police Sergeant Albrecht (Ernie Hudson) investigates a crime scene where Shelly Webster (Sofia Shinas) has been beaten and raped, and her fiancé Eric Draven (Brandon Lee) has died on the street outside after being stabbed, shot, and thrown out the window. The couple were to be married the following day on Halloween.
One year later, a crow lands on Eric's grave stone and taps it; later that night, Eric comes back to life and climbs out of his grave. Eric goes to his old apartment and has flashbacks to the murders, remembering that those responsible were criminals, T-Bird and his gang: Tin Tin, Funboy, and Skank. Eric soon discovers that any wounds he receives heal immediately. Guided by the crow, he sets out to avenge his and Shelly's murders by killing the perpetrators.
Why It Never Dies
- Tragic and somber story about a crow-ressurected man named a Eric Draven, who seeks revenge on a group of criminals led by Top Dollar, who orchestrates his death along with his fiancee, Shelly Webster.
- Good acting especially from the late Brandon Lee, who handles the tragic feel of the Crow.
- Fast paced action that improves the comic.
- Shadowy and dark visuals that works with the Gothic style of the film.
- Pays tribute to the late Brandon Lee who died while making the film.
- Deep emotional depth.
- Excellent soundtrack and music score.
- Well designed dark city landscape.
- Good cinematography.
Bad Qualities
- Filmmaking Incompetence: Lead actor Brandon Lee was accidentally killed on set during production. On March 31, 1993, at EUE Screen Gems Studios in Wilmington, North Carolina, Lee was filming a scene where his character, Eric, is shot after witnessing the beating and rape of his fiancée. Actor Michael Massee's character Funboy fires a .44 Magnum Smith & Wesson Model 629 revolver at Lee as he walks into the room. A previous scene using the same gun had called for inert dummy cartridges fitted with bullets, but no powder or primer, to be loaded in the revolver. For close-up scenes that use a revolver, where the bullets are clearly visible from the front, and do not require the gun to actually be fired, dummy cartridges provide a more realistic appearance than blank rounds, which have no bullet. Instead of purchasing commercial dummy cartridges, the film's prop crew, hampered by time constraints, created their own by pulling the bullets from live rounds, dumping the powder charge, then reinserting the bullets. In the fatal scene, which called for the revolver to be actually fired at Lee from a distance of 12–15 feet, the dummy cartridges were exchanged for blank rounds, which feature a live powder charge and primer, but no bullet, thus allowing the gun to be fired without the risk of an actual projectile. As the production company had sent the firearms specialist home early, responsibility for the guns was given to a prop assistant who was unaware of the rule for inspecting all firearms before and after any handling. Therefore, the barrel was not checked for obstructions when the time came to load it with the blank rounds. Since the bullet from the dummy round was already trapped in the barrel, this caused the .44 Magnum bullet to be fired out of the barrel with virtually the same force as if the gun had been loaded with a live round, and it struck Lee in the abdomen, mortally wounding him. After Lee's death, the producers were faced with the decision of whether or not to continue with the film. Lee had completed most of his scenes for the film and was scheduled to shoot for only three more days. The rest of the cast and crew, except for Ernie Hudson, whose brother-in-law had just died, stayed in Wilmington. Paramount Pictures, which was initially interested in distributing The Crow theatrically (originally a direct-to-video feature), opted out of involvement due to delays in filming and some controversy over the violent content being inappropriate given Lee's death. However, Miramax picked it up with the intention of releasing it in theatres and injected a further $8 million to complete the production, taking its budget to approximately $23 million. The cast and crew then took a break for script rewrites of the flashback scenes that had yet to be completed. The script was rewritten by Walon Green, Terry Hayes, René Balcer, and Michael S. Chernuchin, adding narration and new scenes. Lee's stunt double Chad Stahelski was used as a stand-in and CGI was used to digitally superimpose Lee's face onto the head of the double. The beginning of the movie, which had not been finished, was rewritten, and the apartment scene remade using computer graphics from an earlier scene of Lee. A character from the original comic book called Skull Cowboy was originally planned to be part of the adaptation and even had scenes filmed. He acted as a guide for Eric Draven between the worlds of the dead and the living. He was set to be played by Michael Berryman, but the role was cut from the film due to Lee's death. O'Barr later remarked that losing Lee was like losing his fiancée all over again, and he regretted ever writing the comic in the first place.
- Although not charged with Lee's death, Funboy's actor Michael Massee was too traumatized by the incident that he never saw the movie, took a year off from acting to recover, and reportedly had continuous nightmares about the incident.
- It changed much of the source material like rather than Eric being shot to the head by criminals but fall to his death in a house.
Reception
The Crow received generally positive reviews. It has an approval rating of 82% on Rotten Tomatoes based on 50 reviews and an average rating of 7 out of 10. The critical consensus states: "Filled with style and dark, lurid energy, The Crow is an action-packed visual feast that also has a soul in the performance of the late Brandon Lee." The film also has a score of 71 out of 100 on Metacritic based on 14 critics, indicating "Generally favorable reviews."
Reviewers praised the action and visual style. Rolling Stone called it a "dazzling fever dream of a movie", Caryn James writing for The New York Times called it "a genre film of a high order, stylish and smooth", and Roger Ebert called it "a stunning work of visual style". The Los Angeles Times praised the film also.
Lee's death was alleged to have a melancholic effect on viewers; Desson Howe of The Washington Post wrote that Lee "haunts every frame" and James Berardinelli called the film "a case of 'art imitating death', and that specter will always hang over The Crow". Berardinelli called it an appropriate epitaph to Lee, Howe called it an appropriate sendoff, and Ebert stated that not only was this Lee's best film, but it was better than any of his father's (Bruce Lee). Critics generally thought that this would have been a breakthrough film for Lee, although James disagreed. The changes made to the film after Lee's death were noted by reviewers, most of whom saw them as an improvement. Howe said that it had been transformed into something compelling. James, although terming it a genre film, said that it had become more mainstream because of the changes.
The film was widely compared to other films, particularly Tim Burton's Batman movies and Blade Runner. Critics described The Crow as a darker film than the others; Ebert called it a grungier and more forbidding story than those of Batman and Blade Runner, and Todd McCarthy of Variety wrote that the generic inner city of Detroit portrayed in The Crow "makes Gotham City look like the Emerald City".
The distinctive features of the film for most critics were the fast-paced action and visual style. The cinematography by Dariusz Wolski and the production design by Alex McDowell were praised. While the plot and characterization were found to be lacking, these faults were considered to be overcome by the action and visual style The cityscape designed by McDowell and the production team was described by McCarthy as rendered imaginatively. The film's comic book origins were noted, and Ebert called it the best version of a comic book universe he had seen. McCarthy agreed, calling it "one of the most effective live-actioners ever derived from a comic strip". Critics felt that the soundtrack complemented this visual style, calling it blistering, edgy and boisterous. Graeme Revell was praised for his "moody" score; Howe said that it "drapes the story in a postmodern pall."
Negative reviews of the film were generally similar in theme to the positive ones but said that the interesting and "OK" special effects did not make up for the "superficial" plot, "badly-written" screenplay and "one-dimensional" characters.
The Crow is mentioned in Empire's 2008 list of the 500 greatest movies of all time; it ranked at number 468. It has since become a cult film. The World Championship Wrestling star Sting got inspiration for his "crow" character from the movie.
Videos
Provided ID could not be validated. Provided ID could not be validated. Provided ID could not be validated. Provided ID could not be validated. Provided ID could not be validated.