Megamind vs. the Doom Syndicate
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| Megamind vs. the Doom Syndicate | ||||||||||||||||||||||
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 "You dare challenge the real Megamind movie?!"
— The first Megamind movie
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"If it was just a TV movie that came out 14 years ago, nobody would care. We could all just ignore it and go about our merry way… but no! DreamWorks had to hype it up and say, "We hear you, Megamind fans. This is the sequel you deserve. You're welcome!" It might genuinely be one of the most insulting things I've ever seen to the point where I'd say it stands pretty much toe-to-toe with Surf's Up 2: WaveMania in terms of being an absolutely insane bastardization of every single aspect of the original that was good."
— James Phyrillas (Schaffrillas), "Why Megamind 2 is a Cinematic Disaster"
Megamind vs. the Doom Syndicate is an Indian-Canadian-American CGI superhero animated film produced by DreamWorks Animation and released on Peacock on March 1, 2024. It serves as the sequel to the 2010 film Megamind, is a pilot film for the Megamind Rules! TV series and is the second installment in the Megamind series. It's a continuation of the first Megamind movie released in 2010. Eric Fogel directed it and stars Keith Ferguson, Laura Post, and Josh Brener.
The first trailer went out on February 1, receiving immense backlash due to recasting the celebrity voice cast from the first movie, subpar animation, and incongruent plot issues. A follow-up series, Megamind Rules!, was also released the same day along with the movie.
Summary
Megamind, now assuming the role of Metro City's defender, assembles a new team to stop his former evil teammates' villainous plans from launching Metro City to the moon.
Why Megamind Should Shoot The Film With The Dehydration Gun
- The biggest problem with this movie is that there is no reason for DreamWorks to make a sequel to Megamind, as the first movie had a perfect finale that didn't have any sequel bait, despite fans who wanted a Megamind sequel (many fans consider Megamind: The Button of Doom included with the DVD/Blu-ray release, along with the video game adaptation Megamind: Ultimate Showdown as the true sequels to the first film). The first movie's ending had the main character who, after a prejudiced upbringing that led him and his friend Minion to become supervillains, defeated the maniacal villain Hal Stewart/Tighten, gaining him Metro City's respect and the respect of news anchor Roxanne Ritchi, even becoming the city's new praised hero, which ended his main arc on an excellent note as his problems ceased. However, with this movie they didn't manage to create any worthwhile character arcs (it could have been a movie about Metro Man, how he became so famous and his perspective towards Megamind in a more in-depth way; or a movie about Roxanne herself; or better, a movie that works as a prequel showing more about Megamind and Metro Man's civilizations). Instead, we got a generic superhero plot that looks like a prolonged episode of a TV show (which it technically is). In short: The sequel broke everything established and what made it special from the first film.
- Due to having such a simple plot, this movie ends up feeling like DreamWorks' failed attempt to revive Megamind's relevance via nostalgia, considering the huge influence the movie had on memes and trends (such as the "No Bitches?" meme from the first movie). However, due to all the issues said below, it's not exactly respected by fans.
- Combine that with the fact the first film came out in cinemas in 2010, a whole generation ago. Ultimately though, DreamWorks doesn't care to welcome old fans or new fans who want to get into it, as barring flashbacks from the first film, doesn't explain how things work, the past of Megamind, Roxanne, and Minion. Metro Man isn't even referenced.
- The animated short Megamind: The Button of Doom, worked more as a genuine follow-up than this film, because the plot was more related to the first movie and feasible both on paper and on screen. It was well-received by fans and critics and many consider it underrated, making this movie even more pointless.
- Due to having such a simple plot, this movie ends up feeling like DreamWorks' failed attempt to revive Megamind's relevance via nostalgia, considering the huge influence the movie had on memes and trends (such as the "No Bitches?" meme from the first movie). However, due to all the issues said below, it's not exactly respected by fans.
- Another major problem with this movie is that it only exists as the pilot of Megamind Rules, the new TV series based on the original movie that is equally just as bad as this movie is, and shares many of the same problems as said TV show to the point where this movie is just an extended episode of the TV Show that acts like a sequel to the first movie, which is ironic since many of the events from the previous film are ignored in this movie and the show itself, making this movie and the TV Show massive cash grabs.
- The film lacks any action or drama that made the first film so memorable, and has a more kiddy tone that the modern DreamWorks films are known for, which is ironic since some of their recent movies like Puss in Boots: The Last Wish and The Bad Guys prove that DreamWorks can make compelling stories that don't pander to kids and can be enjoyed by even adults, something that this film lacks as a sequel to the studio's most mature and emotional films that was about the titular character going through a mid-life crisis and realizing that he wasn't meant to be the bad guy and can move on from the days he was raised by criminals and bullied at school, and became the hero of Metropolis at the end of the first film. This film however focuses more on comedy and less on drama and is rather ill-suited for a Megamind film and makes this movie come off as a movie version of Teen Titans Go! (a critically panned spin-off of a beloved 2003 cartoon based on DC's Teen Titans that was more focused on comedy and less on action, and ironically, also had a movie).
- The plot is extremely banal to star levels, as generic as an earthenware plate with a tiny lettuce leaf in it, and, as said before, feels more like an extended episode for the TV show Megamind Rules!.
- If that wasn't bad enough, the plot is rehashed from the video game Megamind: Ultimate Showdown. The Doom Syndicate seeks to destroy Metro City and Megamind must stop them. Only here, Megamind has created the Doom Syndicate rather than Tighten in the videogame.
- In a certain sense, it rips off elements from The Incredibles 2, like the idea of different heroes teaming up to defeat the villains.
- It ignores the events of the previous film and two important characters from said film, Metro Man and Tighten, which are completely absent in the film, making this film feel less like a Megamind sequel and more like a budget TV special that was made to cash-in onto nostalgia, and only exists to make Megamind into a franchise even though the original film ended on a good note. Metro Man, who's one of Megamind's greatest sources of motivation and the reason why he is willing to be a superhero in the previous film, is never mentioned in this film at all, thus adding proof that this film disrespects the source material of the original film.
- It makes things more ironic because this film was written by the same writers who also wrote the original!
- The characterization in this movie is pretty terrible as the old characters are a shell of their former selves to the point of being flanderized and the new characters are no better.
- Megamind was heavily flanderized in this sequel as he acts very immature and has regressed in terms of his personality, whereas in the previous film, he was able to grow from his villainy and become the one who saved Metro City from Tighten, thus saving his reputation as being an outcast from society. This film on the other hand makes him so unlikeable that he doesn't know how to be a superhero at all, making his Flanderization even more damaging here since he grew as a person in the previous film and at the end of the film was accepted by the citizens of Metro City and became the hero of the city they've been needing since Metro Man faked his death and grew tired of being a superhero.
- Megamind also disrespects Minion even though he already went through the same appreciation to Minion in the previous movie. It's almost as if the writers hit rewind on Megamind's character growth.
- Minion (Ol' Chum), while still likable, became a Butt-Monkey type character as Megamind always belittles and mistreats him even though in the first film, while he does treat him like a bit of a servant, he still considers him his friend, this however, was completely thrown out the window, like if the writers didn't even watch the original film at all.
- Roxanne, while also still likable, became dumbed down into a bland mentor to Megamind as she has to help him with the simplest things and usually has to deal with his shenanigans. Plus, her romantic relationship with Megamind has also been forgotten about and undone, despite being established at the end of the first film, and was one of the prime reasons for Megamind's redemption.
- The Mayor has also been flanderized from a simple mayor who cares about his citizens to now a complete coward who only cares about saving himself.
- Keiko Morita, the new character in the film, is pretty annoying and one-dimensional as her only personality trait is that she's the leader of the Megamind Fan Club and a social media influencer.
- The Go Fish Gang, the minor antagonists of the film, are without a doubt the most pointless characters in the movie as they serve nothing to the story, you could cut them out of the movie entirely and the plot would remain unchanged.
- The Doom Syndicate are one-note, forgettable villains, as they only exist for the sake of evil. They also look very out-of-place and don't fit the esthetic with Megamind, with Lord Nighty-Knight in particular looking more like rejected Raid: Shadow Legends, Dark Souls, and The Dragon Prince characters than someone out of DreamWorks.
- They also look nothing like they did in the Megamind: Ultimate Showdown video game.
- Megamind was heavily flanderized in this sequel as he acts very immature and has regressed in terms of his personality, whereas in the previous film, he was able to grow from his villainy and become the one who saved Metro City from Tighten, thus saving his reputation as being an outcast from society. This film on the other hand makes him so unlikeable that he doesn't know how to be a superhero at all, making his Flanderization even more damaging here since he grew as a person in the previous film and at the end of the film was accepted by the citizens of Metro City and became the hero of the city they've been needing since Metro Man faked his death and grew tired of being a superhero.
- Poor animation that is a massive and impressive downgrade from the original film.
- The characters usually come on screen with egregious stiff and chewy movements, making the viewers try to keep themselves from puking due to how disgusting they come off. Plus, many characters often appear with unnerving smiling faces, like this infamous shot of Roxanne, as well as have some very off-design characters.
- While the movie's graphics, textures, and renderings are far from eye-candy, and much more generic, boring and even soulless.
- The new characters' designs are awkward, and even worse, some of the character models were even recycled from other DreamWorks media, many of them are taken from the Boss Baby show.[1][2]
- Laughable animation poses sequences, such as the poses that the Doom Syndicate do when they all say "No!" after Megamind suggests doing Shrods..
- The movie also recycles footage from the original movie.
- Although, this happened because DreamWorks outsourcing the animation to an Indian company called 88 Animation, which at least explains the why it looks like this.
- A lot of animation errors are present in the film, and some of them are present in the official trailer. One notable error includes a background character dancing in only keyframes. Another example is that when the Go Fish Gang gets freed from their prison Megamind’s drone activates, Megamind just goes into a weird idle animation while the Go Fish Gang gets away.
- Due to the awful animation and the excessive animation errors, this could likely mean that much like The Ice Age Adventures of Buck Wild, this movie was clearly rushed in an attempt to release this and Megamind Rules! simultaneously on the same day.
- Awful voice acting for pretty much everyone, due to none of the actors such as Will Ferrell, David Cross, and Tina Fey reprising their roles from the movie. Although this can be forgiven considering that the aforementioned actors mostly work for comedy or other media (including being the voice and voicing, Maxime Le Mal in Despicable Me 4, the same cannot be said considering that the actors in the sequel are people already experienced in acting and who had already had better roles and best performances. Keith Ferguson at times tries to emulate Ferrell's performance, however, he only makes it sound more like Male Ranma Saotome and forced. In all fairness though, Keith Ferguson has voiced Megamind in the video games.
- On this topic, lip-syncing is very bad and poor as well, if not more, with the characters' mouths for the most part not moving in the right way.
- There are a few plot holes that are never explained:
- If the Doom Syndicate has superpowers such as controlling shadows, having the ability to hypnotize police officers, controlling the weather, and launching out lava, why are these supervillains in a normal prison where they could easily break out?
- When the Doom Syndicate approaches Megamind, Lady Doppler says "Megamind, is that any way to welcome your old crew?", with Megamind later on saying "They still think that I'm a villain!" to Keiko Moritai, from line alone, it's implied that Megamind has met The Doom Syndicate at some point before this film, but the problem is, Megamind never mention anything about The Doom Syndicate in both the first film or even its follow-up animated short. However they did first appear in the Megamind: Ultimate Showdown video game, but their appearances are drastically different.
- It's also implied at the end of the film that Megamind was taught villainy from a disembodied brain named Machiavillain, even though he was taught evil from some random criminals at a young age in the previous film. It's also implied that bullying from his peers at school also drove him down the path to being a villain. But here, it's never mentioned.
- For some reason, Minion was renamed to OI' Chum. In the film, it's explained that Megamind got a cease-and-desist order from a fast food chain called Mr. Minion's Meatsicles so that Minion can be no longer called "Minion", but we never see its existence in the previous film. This was possibly done by DreamWorks to avoid confusion with Illumination's Minions.
- Megamind could've easily ended the film if he had used the dehydration gun on the Doom Syndicate, so why did Megamind not use it in the first place?
- Terrible direction from Eric Fogel, who also worked on the original seasons of the cult-classic MTV's Celebrity Deathmatch.
- Horrible cover for the box-art which contains a really bad editing and looks like a thumbnail right from a popular YouTuber's video. Even the ridiculous and cheap posses don't save it (Megamind should have a sneaky smile, though it seems he's keeping a big fart inside and the Doom Syndicate's positions give eyesore). It's so crappy it became a meme.
- Anachronism: The film is meant to take place in the early 2010s. Yet, the characters use modern 2020-style mobile phones that weren't even around during the period since many mobile phones were still in their prototype stages at the time. The iPhone was still only 3 years old at the time, and since Megamind came out nearly 14 years ago when mobile phones were new at the time, it concludes the film seems odd and random, as it was only added in as a desperate attempt at modernization. The first Megamind film had flip phones.
- Poor humor that is, for the most part, unfunny and sometimes downright cringe. Such as Keiko gets half a million followers on social media while Roxanne only gets about a tenth of that much, which is just a bad attempt at trying to be hip and modern for 2020s kids.
- Much like Surf's Up 2: WaveMania of the Surf's Up series, Space Jam: A New Legacy of the Looney Tunes & Merrie Melodies franchise, and The Exorcist: Believer of the Exorcist franchise, it was too late to make another Megamind movie as that film came out over 13 years ago, and it was because of this reason that people stopped waiting for a sequel; this sequel should have been released earlier after the first movie!
- However, unlike Top Gun: Maverick, Bad Boys for Life alongside Ride or Die, Toy Story 3 alongside Toy Story 4, Candyman (2021), Finding Dory, The Godfather Part III (especially it's recut film The Godfather Coda: The Death of Michael Corleone) Rocky Balboa, the Creed films, The Color of Money, Incredibles 2, Mad Max: Fury Road, The Rescuers Down Under, Blade Runner 2049, Jumanji: Welcome to the Jungle (alongside Jumanji: The Next Level), Zombieland: Double Tap, Scream (2022) alongside Scream VI, Evil Dead Rise, Saw X, Ghostbusters: Afterlife alongside Frozen Empire, Chicken Run: Dawn of the Nugget, Avatar: The Way of Water, Beverly Hills Cop: Axel F, Twisters, and Beetlejuice Beetlejuice, all of which are far better movies, it doesn't even follow any of the techniques that made it a worthy decade late sequel in the first place, and only exists to nostalgia-bait fans of the first Megamind movie and The Button of Doom.
Redeeming Qualities
- The character designs are decent and still look like those from the original film, despite the CGI being terrible.
- Some of the voice acting is decent.
- Despite what WMSSTFWTDG#6 said, Minion (Ol' Chum) and Roxanne are at least still likable and tolerable characters, despite being more dumbed down.
- Lord Nighty-Knight is considered the most likable of the Doom Syndicate for actually being an attempt at similar satire to the first film.
- While nowhere near as good as the previous films, there is a selection of a few funny moments.
- "Are you kidding?! You put the city backwards!"
- Despite how awful the movie is, it is nice to see another Megamind related media after 14 years.
- To be fair, being a Dreamworks IP that hasn't been put to great use for years and also that the franchise had several elements from the first film that could be explored in more depth, the franchise had the potential for a good sequel, it just didn't know how to get the right potential out of it.
Reception
The movie gained a negative reception from the critics, audiences, and fans of the original. It is considered the worst movie of 2024 due to low-quality animation, awful voice acting, bland story, and use of generic characters for villains, and the worst DreamWorks Animation Television production since DreamWorks Dragons: The Nine Realms, and the Netflix era of VeggieTales.
On the review aggregator Rotten Tomatoes, the film holds an approval rating of 10% based on 10 reviews with an average score of 3.5/10, making it the first ever project from DreamWorks Animation to earn such a score.
In a two out of four-star rating for RogerEbert.com, Nell Minow states the film "is intermittently funny and briefly heartwarming, as though they ran the original through the washing machine a few times, and then faxed it."
Amid criticism, Eric Fogel remains enthusiastic about his successful solutions to problems with the film, which included a smaller budget compared to the original, as well as changing the original voice cast, which involved the DreamWorks casting department.
References
Trivia
- The film's main poster became an internet meme, with parodies of Megamind having to fight other characters in place of the Doom Syndicate.
- Due to Schaffrillas reviewing the film, the Dehydration Gun became a meme.
Videos
Trailer
Reviews
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